rd.
modern problems: because I like to wear the giant BOSE Triportheadphones during my commute (light, yet tight around the ears, great sound) to enjoy my gigs of music and to also, sorry to say, block out the inane chatter and cell warbling of my well meaning and I'm sure, good-souled fellow commuters, I did not hear the apparant warning last week when the Triport's crazy-long cord snagged itself on a chair arm rest and as I proceeded forward, the cord yanked my head and headphones back, whiplash style. I had to disentangle the damn thing to the bemused harumphs of my aurally scorned passengers. This was not a problem folks had to deal with too much before the AE (Apple Era). Also it strikes me as a bit ridiculous that when I walk down the streets still listening and enjoying the music, still blocking the constant begging and really loud alpha male and female cell phone important business second hand cell smoke, I look like Roger Daltry in Tommy,
what with the eyeshades and earplugs (and you know where to put the cork.) This all in the service of tuning out the world, which I'm almost giddy to do, when I pass three guys all on cells, trying to out dick each other by sheer volume, sometimes even guys in cars screaming into their fun penis extensions join in for a pissing symphony I thankfully don't have to hear.
What's drowning the world out these days? Just got a bunch of Medeski Martin and Wood after seeing a clip of them playing and was intrigued. Now that boy Medeski pounds on the organ the way it spozed to be. Grooves a plenty really no complaints. Got the new Polyphonic Spree and my immed. reaction is where before they were channelling JS Superstar and Godspell, now they seem to be channelling the Partridge Family. Not that that's a bad thing.
Read with much interest the Gunter Grass memoir in the New Yawker of his wartime experiences in the freakin' Waffen SS during WWII. That's a slippery slope to be sure. Grass, because he never told the world of his Nazi army past seemes to want to begrudgingly apologize or somehow set the record straight, or is feeling pressure to do so. It is an interesting read, and an even more interesting discussion. As a big fan of his work, I wasn't looking for an apology, and his "explanation" of how he came to wear the "double runes" as he calls them, or the nazi lightening bolt SS's, seems pedestrian enough. Just a kid wanting to join the army, the cause secondary to the romance of war and the getting out of the family home. A story told a zillion times, and one we are so close to now, as our country fights a war we don't beleive in and don't really know the truth about. The army is the army. Why has he never divulged all this before? Obviously deep shame and contridiction, reminding me not so much of his own books, but of the great Walter Abish's How German is It? Grass, who's been an active liberal voice and participant in German politics, in his career has done the opposite of war, ie: adding life and creativity to the world with his books, books that don't shy away from controversy, books that beautifully seek various truths.
Hey, I don't wanna nag but I'm really not getting the numbers on Pollen that I'd like to. Wassamatter? The
song no good? Bah! I say. Song very good. Much dub effects good. Drill's voice not so scary now due to dub effects and drinking of the red wine (up in Calistoga, CA) (spodee odee) and listening to nothing but King Tubby, the man who invented dub, Tubby tell me the truth about King Moses and King Solomon being the black man from Africa and I bang this out on the metal outdoor umbrella table up dere in Calistoga and get a hard knock from the man about the noise. But I say, this is King Tubby goddamn you white, cigarette smooking, early bird dinner eatin' goin' out wit the wet hair peopples, get your friggin ASH TRAYS the hell outta here and un-brush your hair and listen to what the Kings are telling you! But no.
Next day I sober up and finish the book I was reading. And I really sober up. And silence descends.
The sobering news, the biggest possible news for me, or for any reader out there... and I don't mean readers of this blog, but people who like to read the books that are often still published at great expense still in this country for the interest and pleasure of the peoples; and the news, the event is when we, you or finally me, puts down his PK Dick (that didn't sound right...), and his Colson Whitehead (loved Apex Hides the Hurt by the way... ) and reads, even though he said he wasn't going to, the enormous, heart-crushing singularity that is Cormac McCarthy's The Road. I did declare beforehand that I was not going to read this book. Not that it didn't look intriguing, but it sounded awfully depressing. And yet, due to cosmic irony I land a copy of it, get this, for father's day, from my sweet, innocent, beloved, 10 year old son.
I read a lot of reviews of it and I think it may have been the literary giants over at Entertainment Weekly who called it "devastating." No joke. It is devastating. It is the end. The single bleakest, most wrenching and sad statement probably ever put to paper. It is a product of all nihilism and dystopia that came before it, yet it goes where no other book I know of ever went or would want to go: to the end. Into a completely colorless, hopeless, utterly crushed and sere world, a world where suicide would be a thankfual celebration, where there is exactly ZERO hope and ZERO hope of ever finding hope, and wretchedness and horror are all that remain. And into this world, McCarthy brings a father, and of course his sweet, innocent, loving 10 year old son. I am on shaky ground before even starting it.
But I'm stronger these days. I can do it. The book is almost impossible to put down. The language is other worldly, as we are in another world. It is biblical. It is incredibly readable, descriptive. The boy calls his father "papa" and each time I read that word I want to cry. I want them, father and son, to die. I want them to die about five pages in, I want them to finally die the two or three times they get close to it. Please die, spare them. This isn't how I usually feel about characters, the "good guys" the ones I identify with. Shouldn't I want them to live? And somehow, against the book's own internal logic I end up wanting that.
Why would you write a black hole of a book, a hopeless book. And why would a person want to read it? It is entertaining for us to see the end without light? Is it instructive? Why does Oprah recommend it, and every major critic and reviewing organ of literature praise it unflinchingly? Why did it crush me, yet fill me with emotion, stay with me, perhaps forever?
It is a thing unto itself. Apart from the counterintuitive beauty of its language vs. its bleak subject, is the hard fact that its total nihilism somehow, artfully, seemingly against its own will, like a horrible black hole, spins itself into form, coalesces, creates a story of hope and love where there should be none. It is intense and inspiring and thank god I was up in Calistoga where the sky was so freakishly blue, the Napa Valley so utterly perfect, my own son, flinging himself into me for a hug was so comforting that I was fine, redeemed, OK.
That is some fucking book.













