black dog
Hey, hey mama, its oldies week now that the skirblog is back and operating as per usual. Man I hate to say it but its bad to be back. The gree-yind is awful once you’ve been away. First thing I notice back in lovelee downtown SF is the trademark atmosphere of constant sirens screaming continuously throughout the day esp though at lunch time. I guarantee you that if you poke yer head outside from 6th or 7th Street down to Embarc, esp. at lunch time, you will hear one piercing siren after another panicking traffic, splitting ears, racing toward what exactly? You mean to tell me there are that many emergencies A DAY in downtown SF alone? If so we are in worse shape than I thought.
Speaking of screaming sirens… I was treated by some radio station, I think KFOG (which has found
itself programmed into the ol’ vehicular FM's coveted slot six) to one giant heaping helping of Led Zeppelin’s “Black Dog” the other day. And I have to tell you it was quite an experience. It’s probably been years since I heard it, start to finish, and have been able to gain some distance from it since the OLD DAYS when you heard it, like the panicking sirens, at least three or four times a day, and it was part of the landscape, a big part mind you like a mountain or such, but there all the time, but now perhaps I could listen to it with fresh ears, like maybe I was hearing it for the first time like maybe I was some missionary or explorer coming across the Grand Canyon or N. Falls for the first time, and holy fucking shit can you imagine? The Falls, The Canyon, The Black Dog? I could only marvel at the extreme heaviosity of it, the outlandishness of it, and yes its gi-goondus balls. Sorry but that’s what it has. But why try imagine myself into that virgin listen when I have the perfect test subject living with me? The kid! I says, hey kiddo, you should take listen to this,” and I laid the Black Dog on him. Even though he may be a bit young and a bit too media savvy, and of course into the rap and hiphop and such nonsense,I could see various wheels turning, various switches being activated. Next thing I know he’s downloaded Black Dog and has it on his “my penguin” space, which is kinda like a myspace for kids. Take that you flippin’ rappers.
But I’m not done sweating to the oldies, no, I’ve been on a weird trajectory musically this past year, you may remember starting with re-discovering a lot of the vintage PIL way, way back, and then via Don Letts, allowing the evil DUB to take over my brain for quite a while. The DUB is still holding tough, the King Tubby of course, and now the Augustus Pablo, and that had me thinking, “hey, what about our good old friends the Bad Brains?" They could reggae and dub out with the best of them, when, of course they weren’t destroying all that stood before them, basically inventing speed core and a bunch of other punk sub genres. They’re back apparently, and have released "Build a Nation" which I have yet to hear. It’s the original lineup and Mr. Jennifer has a lot of strong and sage things to say about it and the Bad Brains over at Pitchfork, a lot of having to do, still, with being a black band playing punk, and how race does and doesn’t matter. But first off was little Limewiring and iTuning to get back on the Brain's program. I hate to say this for fear that Darryl Jennifer (he sounds mighty pissed in the
interview) will come and KILL ME or something, but you’ve gotta sift through their catalogue pretty carefully because they put out a lot of crappy shit mixed in with a lot of brilliant shit. The best example of this is on the great “I Against I” release which while including the title track and “Re-Ignition” also sports some of the most middle of the road jazz fusion-y crap you’d never want to hear. But who gives a goddamn cause all I do is play “I Against I,” and "Re-Ignition" over and over and over again. Better to pick up their infamous “cassette only” ROIR release that’s been avail on CD for like 100 years already that’s all killer and no filler. We may venture into the new one yet, I will report.
Black people dominate the skirblog’s entertainment dosage this week, not only the Brains, but two DVDs: I Think I Love My Wife and Black Snake Moan. The former a Chris Rock project, and at its core, so squeaky clean and nice that you’re gonna wonder what Rock is suppressing to make this film, or is he trying for a total re-branding of himself as a family film dude? It is Rock himself who saves this from becoming total pap, he lets small, classic Chris Rock bolts fly every once in a while, (not often enough), and Rock can crack you up by just saying the word “chicken.” There were some interesting race type things in the film, and yes, like the Bad Brains, Mr. Rock still has to contend with race every day. Which will have me digress for a sec. to another film, Waiting.
Waiting is genius work. Dumb genius yes, but genius all the same. Yes it basically takes the film Office Space and moves it deftly into the restaurant setting. In fact it moves it right to the very restaurant from Office Space called now “Shenanigans” instead of “Chotchkes.” Waiting is much cruder,
inappropriate and sexual than Office Space and all the better for it. I watched it twice in as many days and appreciated it to no end. Of course there is a wise, old, black dishwasher in the film, (just like the ones in real life, right?) who dispenses wise old advice to the staff, including this bit to the new, rookie white kid: “I want you to close your eyes and imagine all your surroundings, take in every thing, every aspect of the world around you. Good. Now imagine the same thing this time if you had been born a black man.” This reminded me again of Colson Whitehead’s “Apex Hides the Hurt” where only the white characters are described by race, ie: “The white guy at the bar ordered a beer,” etc. After a while you catch on that all the un-race-described characters are black, and that this is the exact opposite of how all books usually are. A little more complicated is Black Snake Moan which is a mixed race affair and does flirt with racial boundaries and stereotypes. I will say after the film, which I liked, I wanted to know if the filmmakers were black. It seemed to matter on how I would read the project as a whole, which teeters from
commenting on cliché’s and racial stereotypes to reinforcing them. I did watch some of the extras on the DVD and found some of the answers (Director, no; Producers, yes; Musicians, both, but mostly white.) So a big ‘hmm’ to Black Snake on racial lines. Otherwise you gotta see Samuel L. who can recite the phone book and be a bad ass about it, (which itself is by now a stereotype isn't it? As is commenting on the fact that its a stereotype. Oh my white guilt and love for Samuel L!) and Christina Ricci's all half nekkid and such throughout most of the film. She has transformed her body since I last saw her, and seems to want to exploit it with abandon in this film. Or is it her character? AO Scott over at the NY Times, a bunch of other reviewers pretty much savage Black Snake for much more erudite reason than I, but skirblog sez, check it out.
Apropos of nothing other than we're on a movie rant here, brings me to the battle of the ultra futuristic dytopian killer fighting babes, the babes most people had no desire to see in a movie: Aeon Flux and Ultra Violet. Some say the same
movie maybe? But not to the trained eye. You know this by now, I am a fan of the sci fi, especially the dark future techno stuff that does poorly at the box office. I’d been stoked about Aeon Flux for a while, but leery as well having been a bleary eyed, and admittedly kinda of weirdly turned on fan of the toon on MTV, and knew a "live" version of Flux was gonna be tough to pull off. And yes, I was disappointed, esp. by Ms. Theron as Flux, who came off rather un-acrobatic and kinda awkward to my eye. The film was almost immediately forgettable. Too bad, and would have been even more
disappointing had it not been for the unexpected appearance, seeming out of the blue (ahem) of Ultraviolet. See, now they got that one right. You need a sleek, cool, babe fighting machine? You call Milla Jovovich, not Charlize Theron. I mean anybody knows that. Ultra Violet is worth a closer look, a film I’m going to defend as an even more beautifully rendered dance extravaganza than any of the Matrices. Cause that’s what its come down to now in these slo-mo, futuristic fight fests: dance. It’s a complicated dance, angles, trajectories, near misses, split seconds, thrilling, bloody and beautiful to watch. UV revels in this, and seems to aspire to not much more than pure style. But set in a hyper-hypochondriac world there's some nice touches about disease and fear which reminded me of Children of Men. A must see.
Some sci fi's are so bad they're good, and others? Well... Do I even have to say it might be best just to avoid Transformers? We wanted to see it anyway, regardless of its insane "plot" and hundreds of other irrationalities and sat right up close to it to be overwhelmed if by nothing else then the giantness of its images and loudness of its sounds. I don't know if you saw the other Michael Bay movie The Island, but there's a scene in it, a chase scene, absoultely beautifully done, where huge like railroad axles or something go flying off a speeding truck to bounce around destroying other cars on the highway. One of the best things about this scene are the sound effects, which give they whole thing a meanacing, surreal quality. So now extrapolate that scene out for about 2 1/2 hours and you have Transformers. Anytime you see at the starting titles that a film is brought to you by Dreamworks AND Hasbro, you know you are about to be toyed with, eh?
Other must see motion pictures that aren't nec. films? How about some very scary, freaky new ads on the Bart train between Embarcadero and Montgomery stations? If you’re not prepared for this, as I wasn’t (odd, isn’t it, me not prepared?) and you’re standing or sitting there trying to look bored and cool and menacing to the other passengers, or just sleepy, as is usually the case, when you see what you think are fucking video screens appearing out of nowhere outside the damn train showing some kind of moving video I don’t know what. Where am I suddenly? In Minority Report? But no, this has been going on for some time now. The dark subway wall an irresistible and formerly blank slate upon which to advertise. Maybe the old forehead tattoo wasn’t such a bad idea after all?
But what was I talkin' about? Oh yeah, "Black Dog." Here, why not experience it again for the 1,000,000th time, and the very first time: (props to ILLS for this player. He da man!)
















